There were a lot of really good photobooks released in 2020 and there are many that I have not yet had the chance to see. I only picked up six this past year and not all of them are 2020 releases. I’ll share a few thoughts on these in order of book size, smallest to largest since that’s how they’re stacked in front of me.Continue reading “Six photobooks”
Sometime late in 2018 I realized, thanks to Screentime statistics on my iPhone, that I had been spending a lot of time on Instagram. An embarrasing amount of hours scrolling with an occasional post, likely when I needed some minor phtographic validation. None of this was bringing me much fulfillment and I decided to step away. My last post in 2018 was December 2nd. 49 likes, one comment.
I moved the Instagram app into a folder and off the home screen of my phone. For several months in 2019 I did not open it at all. Eventually in late summer I opened the app again, viewing in very small doses, wondering if I had missed anything of importance. Mostly some scrolling of my feed and some time with Stories. What I was immediately struck by was the incredible number of advertisements between posts by people I followed. It was easy to decide I did not miss that at all. Stories were fun but they had lost some allure as well.
That’s how things went until late in the year when I found myself scrolling too much again. Maybe it’s some of the downtime at the end of a year and during the holidays that brought this on. At one point I got the “You’re All Caught Up” notification and I knew it was time again to dial it back.
I had hoped when I stepped away from Instagram a year ago that it lead to a serious uptick in my photography. I had goals of completing photobooks, doing more projects, meeting more phtotgraphers in real life. In reality I did complete a couple of books which was very satisfying. However I probably took fewer photos in 2019 than I have in many years and I didn’t expand my interaction with other photographers much at all so the results were mixed at best. Still, whatever else I filled my time with in place of endless feed scrolling surely was better for me.
What I think I’ve come to is that Instagram wasn’t my only problem. It was a lack of clear photographic goals and then the discepline to make time for them. When I made time to complete photo books, I did. When I made time to go out and make photos, I did.
Building on that, I am going to try and be more deliberate and intentional about making time for photography in 2020. I have already identified a handful of events that I will focus on and hope to build from that. Does any of that include Instagram again? Only time will tell.
The 24 Hour Project is a bit of a bucket list adventure. Once you’ve done it, it’s reasonable to question if you’d do it again, subject yourself to the sleep deprivation again, walk as far again, struggle as much again. For me, the answer was yes. Fortunately my partner in crime from last year, Jake Rhode, was up for it again too.
Our goal was to not follow the exact path we took last year. We sort of succeeded at that. Many different stops, some repeat locations, mostly dictated by the constraints of early spring outdoor activity in Milwaukee, WI. Ok, here’s the play-by-play:
It is still very much winter here in Wisconsin and while I have been taking photos over the past few months, much of it is on film and yet to be developed. I figured it might be a good time to stretch my writing muscles again and share a few prints and zines I have received from three photographers I follow on Instagram.
Often called a poor man’s Leica, the Canonet is quite simple. It has a quiet leaf shutter and this version has a fast 40mm f1.7 fixed lens. You can use the surprisingly accurate meter (requires a battery) and shoot in shutter priority, or shoot manual. The focus throw is short and has an easy to use tab. I really like this camera and it has never let me down.
The Nikon S3 is fully mechanical (no meter), accepts a variety of lenses and is a noticeable step up in build quality over the Canonet. The S3 I have is a very early version. Serial numbers started at 6300000 and mine is 6300041. It has a quiet cloth shutter and a wonderful precision mechanical feel overall. The film advance is weighty and smooth. The focus throw is long, favoring accuracy over speed. The full size finder has fixed frame lines at 35, 50 and 105 and I have lenses for each.